M50 is a very special art district where massed with many galleries and artists locating in large groups of depots. Regardless of the rubbishy street (old, dirty street, even the cab driver has not heard about) and the letter written by some person who used to live in the neighborhood to appeal that some land agent forced to occupied his house, M50 is a unique product of the new attitude and policy of the local government which reveals the contemporary art gradually blooming and merging into the culture and economy. Simple and crude houses can not conceal the gorgeous art works in them. The whole area permeates the breath of art and the ropey wall better stand out the solemn and quiet atmosphere. Modern signs, logos and old depots and all kinds of arts, numerous inconsonant things form the entire M50, just like you haven’t stop memorizing the works in one gallery and then step into another art world. Outside the M50, more and more galleries and workshops are under construction, as MSG gallery. In the lecture given by Davide, I fundamentally understand the association between the art gallery, exhibition, museum and the government. The conversation totally breaks up my view of foreign artists in
A classroom blog on contemporary art & new media in China, w focus on Shanghai. Run by students. Instructor: Defne Ayas (since '06), Francesca Tarocco (since '10). Past lecturers included: Yang Zhenzhong, Qiu Anxiong, Gu Wenda, Ding Yi, Hu Jieming, Birdhead, Zhao Chuan, Lynn Pan, Yang Fudong, Davide Quadrio, Jian Jun Zhang, Barbara Pollack, Lisa Movius, Phil Tinari, Li Zhenhua, Aaajiao, Shi Yong, Xu Zhen, Lorenz Helbling, Yan Pei Ming, ShuFu, Liu Ying Mei. Since Fall 2006.
Friday, October 13, 2006
M50 review
Labels:
book,
collector,
collectors,
davide quadrio,
display,
eastlink,
museums,
new media,
painting,
reviews/responses
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1 comment:
Great job once again Alex. I enjoy looking at your pictures as I read your post. The pictures compliment the post and present the post in a very orderly structure that reflects the chronological and methodical progress we made going from Moganshan Road into the various art galleries and ultimately ending our tour with Zhen Fengzhi's individual gallery.
P.S. do you have any of Zhen Fengzhi's pictures on flickr that I may borrow. I like one of them in particular and wish to write about it. Thanks, and keep in touch.
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